Two Miles High Music

No Description AvailableNo Track Information AvailableMedia Type: CDArtist: JOPLIN,JANISTitle: GREATEST HITSStreet Release Date: 08/31/1999

More than Cheap Thrills or even Pearl, Greatest Hits has helped keep Janis Joplin's short-lived recording career alive for listeners who came along after her 1970 death. "Me and Bobby McGee" is the biggest draw, of course--it was a posthumous No. 1 single--but the rest is equally exciting. Despite the familiarity of the titles here, this goes far beyond the merely serviceable. Finally, the cover photo of Janis smiling in a sunny park is as poignant a shot of her as exists. --Rickey Wright

No Description AvailableNo Track Information AvailableMedia Type: CDArtist: JOPLIN,JANISTitle: PEARLStreet Release Date: 08/31/1999

Janis Joplin made the blues her own. Though she didn't live to finish this album before her 1970 death from a heroin overdose, her intense passion and frantic cries of pain and ecstasy were enough to make Pearl one of the most memorable recordings of her era. Her band does fill up some vinyl with the instrumental "Buried Alive in the Blues," but it's the vocals that make this album worth hearing these many decades later. Listen to the tortured heartbreak of "Cry Baby" or the hopeful declarations of Kris Kristofferson's "Me & Bobby McGee" and understand why Joplin remains an essential, if tragic, figure in pop. This reissue of Joplin's final album includes four live bonus tracks recorded during the 1970 Canadian Festival Express Tour. --Steve Appleford

No Description AvailableNo Track Information AvailableMedia Type: CDArtist: JOPLIN,JANISTitle: CHEAP THRILLSStreet Release Date: 08/31/1999

One of the most eagerly awaited albums in rock history, Big Brother & the Holding Company's 1968 major label debut (they'd previously released one thinly produced collection on the small Mainstream label) made good on all the hype generated by Janis Joplin's amazing performance at the Monterey Pop Festival the year before. Crowned by its hit single, a churning remake of Aretha Franklin's sister Erma's "Piece of My Heart," the album also contained Joplin's Monterey showstopper, Big Mama Thornton's "Ball and Chain," as well as the Gershwin classic "Summertime," on which Joplin's always underappreciated band (especially guitarists Sam Andrews and James Gurley) match her vocal intensity with their own ferocious playing. This expanded reissue includes two previously unissued outtakes ("Roadblock" and "Flower in the Sun") and a couple of heretofore unheard live cuts ("Catch Me Daddy" and "Magic of Love"), all from 1968. --Billy Altman

Such was the visceral power of Janis Joplin's voice that her enduring legend as '60s rock icon was based on just a pair of solo albums and the two releases with her fronting Big Brother and the Holding Company that she recorded before her death in 1970 of a drug overdose. This 30-track double-disc anthology offers a concise introduction to the incendiary talents of a singer whose tortured blues seemed no mere affectation; being cruelly voted "Ugliest Man on Campus" during her tenure at the University of Texas barely hinted at the depth of Joplin's personal demons. Organized chronologically with its discs split between her band and solo careers, the anthology documents the story of a raw, riveting talent that carried the often slovenly psychedelic blues of Big Brother to stardom via "Down on Me" and "Piece of Heart," stumbled only slightly on her solo debut (I Got Dem Ol' Kozmic Blues Again Mama), and then reached full, ragged glory on the quintessential Pearl with tracks like her posthumous hit "Me and Bobby McGee" and the playful "Mercedes Benz." The collection also features a pair of previously unreleased live Big Brother tracks ("To Love Somebody," "Kozmic Blues") recorded at Woodstock '69. --Jerry McCulley

Already a tremendous star, 1969 was a year of change for Janis Joplin. Her legendary performance at Woodstock came just weeks before the release of I Got Dem Ol' Kozmic Blues Again Mama, and both pointed to the new, exciting direction Joplin's music would take. The emotionally captivating performances, both live and in the studio, defined a moment and a legacy.