Two Miles High Music

Last remaining copies of numbered limited edition 2001 release for the progressive rock act. 'Recordings' finds them moving away from the more song based aspects of their albums, 'Stupid Dream' (1999) & 'Lightbulb Sun' (2000). Nine tracks including recordings from the 'Lightbulb Sun' sessions, rare UK singles tracks & an extended version of 'Even Less'. Slipcase.

ANESTHETIZE is a DVD which captures the power of the band’s live show. Recorded on multi-cameras over two nights at 013 venue in Tilburg, Holland in October 2008, the concerts featured tracks from throughout the band’s career. ANESTHETIZE collects the highlights from the two shows. It is only the band’s second ever DVD release and will be available on Kscope in Spring 2010.

This starkly beautiful elegy on the numbness, apathy, and isolation brought about by the constant barrage of television, video games, advertising, prescription drugs, sex, and violence of everyday life is emphasized by the symphonic arrangement of metal guitars, synthesizers, fat basslines, and virtuosic drumming.

On Fear of a Blank Planet veteran progressive-rock act Porcupine Tree takes up the task of exploring the alienating forces of the media and its impact on our youths and ourselves. Fear's titular cut features lyrics rife with allusions to the confusing, isolating effects of TV, the X-Box, drugged out consumer escapades, and the ennui that arrives with prescription and self-prescribed numbness. "My Ashes" advances the themes of isolation, as a young person becomes increasingly estranged from himself; "Anesthetize" aptly captures dull apathy with accuracy and knowing but perhaps delves to deep into the dark depths and instead of alleviating pain and pressure instead deepens it via a track that fails to offer much emotional or mental counterpoint. The tune does feature an exceptionally lyrical guitar solo from Rush's Alex Lifeson and proves that if anyone can write a sprawling, throbbing epic it's most likely Porcupine Tree. Elsewhere, such as on the beautifully crafted "Sentimental" and "Way Out of Here," Wilson and Co. land squarely between the epic grandeur of peak-era Pink Floyd and the psychically distant cool of Radiohead, a feat that doesn't as much demonstrate how well PT echoes those bands as it shows us how expansive the English quartet's music and emotional vocabulary is. For elder listeners Fear probably won't serve as the powerful statement it wants to be--its themes have been explored to more exacting impact before and, musically, it's fairly standard progressive fare--but it is a strong and intelligent album and for a generation that's grown numb from three-minute ditties about life at the end of the country club cul-de-sac that embrace rather than rage against the dying of the light, it may serve as a wake up call and provide hope for a brighter and more color-infused tomorrow. ––Jedd Beaudoin

Hailed by Billboard as 'cinematic...simple gorgeous', Porcupine Tree are unquestionably one of the UK's most inspired and inventive rock groups. In Absentia is their eagerly anticipated Lava Records debut. Digipak. 2002.

After a quarter-century of punk and postmodern excesses, it's always something of a surprise to find young musicians who not only recall a past era's musical indulgences, but also revel in them. This Lava Records debut is the latest fruit of Porcupine Tree mainstay Steven Wilson's obsession with prog, a mania that dates to the late '80s when the "band" was little more than a fantasy, though one with a remarkably imaginative--if entirely fictional--history and bio. But that pipedream eventually became a real "alt prog" cult fave, with these dozen ambitious songs finding a focus that occasionally eluded the band on half-hour soundscapes like its underground hit, "Voyage 34." Tracks like "Gravity Eyelids" have a retro-psychedelic feel that would have done the XTC alter ego Dukes of Stratosphear proud, with Wilson's pure melodic tenor pushing it beyond the merely baroque. But the collection is also a strong statement of another crucial Wilson/Porcupine retro-sensibility: The album has unified musical statement. "Lips of Ashes" and "Prodigal" serve up the sort of impressionistic, harmony-rich musings that Pink Floyd has rarely managed since Wish You Were Here, while "The Creator Has a Master Tape" punctuates the rich harmonies of tracks like "Heart Attack in a Layby" with Crimson-esque metallic thrash and processed vocals. While the band's instrumental prowess sometimes slums its way into the free-form jazz noodling of past efforts, the album remains one of the band's fullest achievements. --Jerry McCulley

2009 two CD release from the Grammy-nominated modern Progressive Rock band. Porcupine Tree is fronted by Steven Wilson, who also is well-known for his work producing other artists, from Swedish Progressive Metal group Opeth, to Norwegian chanteuse Anja Garbarek. One of the only constants in Porcupine Tree's music is how it continues to evolve and confront the expectations of the band's fans from album to album. The Incident is their 10th studio album and takes the listener on a thrilling audio journey. In turns haunting, desolate, hypnotic and euphoric, its centre-piece is the title track: a stunning 55-minute musical statement that breaks down into 14 separate and often diverse (though interlinked) vignettes.

Special two disc (CD + DVD Audio) pressing of Steven Wilson and Porcupine Tree's Lightbulb Sun album features a bonus DVD-Audio disc that contains a 5.1 Surround Sound mix of the album, the original stereo mix plus other fine bonus features. The CD features a new stereo mix of the album, which was originally released in 2000. Lightbulb Sun was Porcupine Tree's first foray into more commercial terrain and may have initially taken fans by surprise but has become a beloved entry in their impressive catalog.

Filmed October 11th and 12th, 2005 at Park West, Chicago, on the Deadwing Tour, ARRIVING SOMEWHERE captures the outstanding Porcupine Tree in glorious 5.1 & stereo. Total worldwide album sales for Porcupine Tree top the 1 million mark and increasing media coverage, word of mouth and fan-power continue to create interest on a massive scale throughout the world.

Porcupine Tree defies categorization. This unique London-based quartet make unconventional, uncompromising music that qualifies them as Europe's premiere art-rock cult band. Porcupine Tree's cogent musical personality is a force to be reckoned with. Porcupine Tree's intelligent and accessible sound will appeal not only to metal enthusiasts and twenty-something dark wave fans, but will also fit in with today's more adventurous alternative station playlists.

Before the Mars Volta made prog-metal fashionable again--with a little help from the Dillinger Escape Plan and My Chemical Romance--Porcupine Tree's 2002 US debut, In Abstentia, had already laid most of the groundwork. For the middle-aged British quartet led by Steven Wilson, '70s rockers like Rush and Yes (with whom the group toured after the album's release) never went out of style but instead left behind grandiose scriptures to be studied for all of eternity. So while tighter and more efficient in spots ("Shallow," "Halo"), Porcupine Tree's Deadwing faithfully keeps the technically proficient epics coming, peaking with multi-tentacled 12-minute "Arriving Somewhere (But Not Here)." --Aidin Vaziri