Two Miles High Music

This is a classic recording of these two works, led with grand authority by Fritz Reiner. The Chicago's brass and wind section play gloriously throughout, and the final movement of Scheherazade (we learn from the original producer [1960] in an accompanying essay) was recorded in one take--an almost unheard-of feat. This fast movement is taken at breakneck speed, with no loss of clarity or power, with the strings in the hands of magicians. Stravinsky's Nightingale has never sounded so exotic, so bristling over with color, since this 1956(!) recording under Reiner, and the wonderful surprise with this new release of old material is the revamped sound: the original "Living Stereo" was a fantastic breakthrough in recording, and this new SACD format has returned the spatial relationships to something so "real" that it comes as close as I've ever heard to a true concert hall experience. Simply glorious. --Robert Levine

Rimsky-Korsakov is universally acknowledged as a great master of the orchestra. He even wrote a textbook on the subject consisting entirely of examples from his own music! He needed some sort of pictorial or literary stimulus to really get his imagination going, however. His "abstract pieces," like Symphonies No. 1 and 3, are comparative failures specifically because he believed that symphonic thought was incompatible with orchestral brilliance (he wasn't the only Romantic composer to succumb to that fallacy). So all of his best music is either obviously illustrative, or taken from one of his colorful "fairy tale" operas. This two-disc set gives you an excellent selection of works of both types at a great price. --David Hurwitz

Charles Mackerras is an unassuming guy who just makes great music. He's never made a bad record, and his enthusiasms range from Handel to Janácek to Sullivan (he's one of the world's leading authorities on all three). Because he's had no long-term relationship with any specific label, his career hasn't been pushed the way, say, Herbert von Karajan's was, but that doesn't make his recordings any less good. In fact, as this brilliant and exciting performance of two Rimsky-Korsakov classics shows, Mackerras is as completely at home in these lush, Romantic orchestral soundscapes as he is in his chosen fields of expertise. Add Telarc's knockout sound to the equation, and what more could you ask for? --David Hurwitz