Two Miles High Music

US only Limited double twelve inch vinyl pressing of this single, a new track lifted from her 2009 hits collection Celebration. Features US only-artwork and seven versions of 'Celebration'. Including all of the remixes found on the US Maxi, UK Maxi and the EU single! Tracks; Album Version, Benny Benassi Remix, Paul Oakenfold Remix, Paul Oakenfold Dub Mix, Benny Benassi, Johnny Vicious Club Remix and Benny Benassi Remix Edit. Warner. 2009.

Limited seven inch vinyl picture disc pressing. Tracks are 'Original' b/w 'Passion Pit Remix'

The definitive singles collection on 15 vinyl 45 RPM discs presented in their original mixes for the first time in over 40 years!Features 9 Top 10 hits including Bad Moon Rising, Down On The Corner, Fortunate Son, Have You Ever Seen The Rain?, and 26 more!Special multi-page perfect-bound booklet featuring all-new liner notes by noted rock historian Ben Fong-Torres!This is the 'must have' collector's package for ALL rock 'n' roll vinyl fans!

Sundazed is proud to release The Velvet Underground Singles 1966-69, a 7 x 7" single box set honoring the legendary New York combo's 7" vinyl output in their rare mono versions. The set features exact reproductions of Velvet Underground singles, two of them with their original picture sleeves. The singles are packaged in a distinctively designed box, along with rare vintage photos and new liner notes by Rolling Stone's David Fricke (who also penned the acclaimed notes for the historic 1995 Velvets CD box set Peel Slowly and See). The Velvet Underground--whose membership included Lou Reed, John Cale, Sterling Morrison, Maureen Tucker, Doug Yule and Nico--introduced numerous sonic and thematic innovations that laid much of the groundwork for punk and alternative rock. Although they're now acknowledged as one of the most influential bands in rock history, during their existence the Velvets barely registered on mainstream radar, and were often reviled by mainstream observers as well as hippie-era arbiters of cool. But, as Fricke writes in the new set's liner notes, "Somewhere, in another rock & roll universe, the Velvet Underground are more than a legendary band. They are stars, with hit singles--the original seven-inch masterpieces inside this box." Although they never came close to scoring a hit, the Velvet Underground was ideally suited to the 7" single format. "The Velvet Underground were a great singles band," David Fricke notes, adding that the Velvets "invented modern rock with searing guitar distortion, throbbing improvisation and brutally realistic tales of life on the wild side. But they did it all in these classic pop songs--compact miracles of raw drive, intimate beauty and Top 40 ecstasy, heard again in the original, thrilling mono single mixes." The seven singles included in The Velvet Underground Singles 1966-69 comprise the four Velvets singles originally released in the U.S. on the Verve and MGM labels, plus an additional pair of singles that were prepared for release but never made it to the marketplace and a special radio-only promotional single. The singles feature alternate mono versions that differ in significant ways from the songs' better-known stereo album versions. For instance, the band's 1966 debut single "All Tomorrow's Parties" appears here in a special mono edit that amplifies the song's melodic beauty and sonic tension, and a mono mix of their sophomore single "Sunday Morning" emphasizes the song's haunting quality. Meanwhile, the mono single version of "White Light/White Heat" exemplifies the vintage Velvets' stark, distortion-laden fury, while a mono edit of "What Goes On" accentuates that song's inherent pop jangle. The Velvet Underground Singles 1966-69 also includes two unissued singles, one with a never-released pairing of "White Light/White Heat" backed by "I Heard Her Call My Name," and the other with "Temptation Inside Your Heart" and "Stephanie Says," recorded in the waning days of the band's classic Reed/Cale/Morrison/Tucker lineup and unheard by the public for nearly two decades thereafter. The set's seventh single is a reproduction of a vintage promotional disc, a two-and-a-half minute radio spot promoting the band's eponymous third album and featuring legendary disc jockey Bill "Rosko" Mercer, with excerpts from "I'm Set Free," "What Goes On" and "Beginning to See the Light," as well as a picture sleeve with an un-airbrushed variation on the album's iconic cover art. By presenting the Velvets as a singles band, The Velvet Underground Singles 1966-69 shows, in David Fricke's words, "rock history the way it should have been: the Velvet Underground as the New York Beatles, guaranteed to blow up your radio and your mind."

THE BRAND-NEW, COMPLETELY UNRELEASED 7" VINYL 45 2 previously unreleased Jimi Hendrix studio recordings A-side features "Valleys Of Neptune," one of the most sought after of all of Hendrix's commercially unavailable recordings. "Valleys Of Neptune" is the title track of the forthcoming Jimi Hendrix album Valleys Of Neptune, featuring 12 previously unreleased studio recordings - over 60 minutes of unheard Jimi Hendrix! B-side features "Cat Talking To Me," a previously unreleased 1967 recording with the Jimi Hendrix Experience. "Cat Talking To Me" is a non-album bonus track available exclusively on this single. Mixed by Eddie Kramer, the engineer for all of Hendrix's albums throughout the guitarist's lifetime. Produced by Janie Hendrix, Eddie Kramer and John McDermott - the team behind all of the acclaimed Jimi Hendrix CD and DVD releases since 1996.

When "Mr. Tambourine Man" first rumbled out of car radio speakers in 1965, it was a pivotal moment in pop history. With its jangling 12-string and epic sweep, it was the dawn of a new day: the birth of folk-rock. And the Byrds were just getting started. The next two years saw one hit after another, from the Biblical prophesies of "Turn! Turn! Turn!" to the raga-rock of "Eight Miles High," from the exotic orchestration of "So You Want to Be a Rock 'n' Roll Star" to the Byrds bringing it all back home with "My Back Pages." Here they are again, 30 landmark recordings in their perfectly constructed, radio-friendly mono mixes: the forgotten rarities, withdrawn singles and, of course, all the original A and B-sides. No one has ever had a stronger run of singles than did the Byrds in their prime. No one.